12/30/04 - Quantum Darwinism

According to quantum physics, anything anyone can conceive of is happening in its own quantum reality. There are an infinite number of these realities dreamt up by all of us. So why do we all seem to be sharing one particular reality? There's a theory I just heard about that tries to explain why.

Quantum Darwinism is kind of a natural selection, or survival of the fittest, of quantum realities. The more people experience a certain reality, the more real it is. It seems to make a difference, too, whether the circumstances of that reality are recorded -- the recording seems to stand in for another person experiencing it, raising the number of witnesses.

This explains why a hypothetical couple can disagree about how a certain conversation went, even though they were both there and participated in the same conversation. Since there are only two of them, the reality they experienced is fragile and easily warped by each individual's baggage and biases. However if the couple tape-recorded the conversation, they have another "person" (the recording) to shore up the reality they participated in and help them agree on it. If they have this conversation in the presence of several other people, the reality is going to be shored up even further.

So if you are ever trying to switch yourself from your current reality into another one -- perhaps a reality where you are rich and/or famous, or a reality where somebody you have an unrequited crush on returns your affections -- keep in mind that you may be the only person who's supporting that reality. The mass of humanity may be supporting the reality you are currently in, where you're a working stiff, toiling in obscurity, and/or where even by curing cancer or winning a Grammy award, you could never get that person to give a damn.

Believability seems to be the key. After I delve into this theory a bit more, I'll see what else I can come up with.

It's less than a month before my first recording sessions for Not Made of Stone! The train trip up to Eugene is going to be beautiful and I am practicing really hard. I've written a flute solo for "How Now Is Soon" and a bass flute solo for "Ultralite", and I'm working on bass flute and flute parts for "Blood With Salt". Jeff Davis will play drums, Jim Carr will play bass, Dan Magazin will play piano (I'm sending him up to Eugene as a MIDI file), and I'll play flute, bass flute, and guitar and do the vocals.

11/29/04 - Sleep Now in the Fire

So where does Rage Against the Machine fit into the Matrix?

I started wondering today at the gym. I was struck by the immense irony of listening to their thunderous call to revolutionary action (The Battle of Los Angeles) while running in place on an elliptical trainer. Somehow I doubt keeping my heart rate in the high end of my target zone (and exceeding it quite often...this is Rage, after all) for a half hour was really what they had in mind when they created that music and those words.

I'm listening to the same music that was played over the sound system at the Counter-Inaugural I marched in four years ago. I'm feeling so lefty and great but I am running in place on a damned piece of gym equipment. This has got to be exactly what the right is counting on. It has also got to be what Sony, the major label Rage was on, counted on when they released their music -- that it would sell, and make them lots of money, but that nothing would happen, and the corporate/governmental fifth estate would be completely unscathed by it because Rage's listeners won't Do Anything as a result of their message.

They've done their research and they've gotta know that I (a representative of my Gen X demographic) put in massive hours every day trying to get the bills paid, create my art, and maintain my sanity. I work from the moment I get up to the moment I go to sleep and there's no time left over to Do Anything -- and I don't even have kids!

And even if I contribute whatever I can to an org whose mission is to Do Something -- the last election proved that money and mobilization isn't necessarily going to win the day. Donations poured into the Dean campaign, and later the Kerry campaign, from people who realized how high the stakes were and who had never given to a political party before in their lives. And the bad guys still won.

What threat could Rage Against the Machine possibly pose if their millions of records were bought by people like me?

The Matrix has me.

11/28/04 - The first rule of Fight Club...

...is you don't talk about Fight Club. But I'm going to talk about Fight Club anyway! I think it is a really, really good movie. I got a chance to see it on DVD last night. I'm really impressed. It is dark and fascinating and Gnostic. It is right up there with my other favorite movies, which are The Truman Show, The Matrix (the original), and Donnie Darko.

Monica says that they are going to make a movie of The Da Vinci Code, and that Tom Hanks will star in it. She says he is not dashing enough to play the main character, and that she would prefer Russell Crowe in the main role. He' s certainly dashing.

In other news, I've been asked to contribute a track to an anti-Bush compilation CD upcoming from Pax Recordings. I've submitted one, and I hope it will be included. It's short and to the point (1:23) and I call it "Cold Blood". I wrote the words in one afternoon while hiking Sweeney Ridge. I'll let you all know if it is added to the complilation CD and how to get one if so.

11/04/04 - The Decline and Fall of the Roman Empire

Not to be overly dramatic or anything, but nobody alive today remembers how the Romans watched the Senate become ineffectual, and the Emperor become a dictator...certainly I don't, but I read about it somewhere. Seems to me there may have been many, many regular Romans who were uncomfortable with the way the Emperor's military campaigns depleted the treasury and left problems unattended to at home, and with the way the Emperor went on and on about Family Values.

I also bet there were many regular Germans who were puzzled and uncomfortable with the Nazi Party's rise to power, and didn't participate in it, but had to live with the consequences. I bet they wondered, at the beginning of it, what the next few years would bring.

A friend of a friend of a friend, named Paul, sent out the following email which was forwarded to me and I offer it for no reason other than I can't come up with anything near as good, in my present state of shock and hurt. (not awe). It's his advice about how to go forward in this time. Even with the San Francisco Bay Area-specific stuff, I think it's relevant enough to post. Here goes:

1. Everybody gets money. Every payday (if you're lucky enough to still have paydays), write a check, even just a small one. Today I started off the next four years by giving money to a local strike fund (hotel workers are striking here in SF). Next payday, I renew my ACLU membership. After that, it's NRDC, Planned Parenthood, NARAL, etc. The great thing is that once you send that first check, you'll get all kinds of convenient postage-paid return envelopes for next payday's check. Do it; you'll feel like you're doing something and that alone will help.

2. If you haven't already, shift your phone service to Working Assets. It's easy, it costs about the same, and they give part of your money to good progressive causes. Better that extra little bit go to the Sierra Club, for instance, than to SBC profits.

3. Nourish the bubble. For those of us fortunate/determined enough to live in the Bay Area bubble, remember how lucky we are. True, it is a bubble, a veritable echo chamber of progressive viewpoints. True, it is cut off from a lot of the country. But it isn't cut off from all of the country (see below), and there are things we get to do in the bubble, things that make life worth living, worth treasuring, things that point the way to a better tomorrow. You have to have laboratories in order to figure out what will work. We live in a left-wing laboratory. Keep the lab clean, make sure the apparatus are in good working order, check to make sure the supply room is well-stocked, and remember that publishing the results is an important part of the process.

4. Remember that we are not alone. There are at least 56 million people here who roughly agree with you. That's a lot. It's a whole lot. It was almost enough. We Are Not Alone. And because we are not alone, despair, cynicism, defeatism, hopelessness, and withdrawal are Not Allowed. You don't abandon the team just because we lost the game. Show up for practice with your cleats on; there are more games on the schedule.

5. Remember that we are, despite everything, fortunate. We were born and/or live in a very rich country, one with an enormous amount of power in all senses of the word. We have a responsibility to each other and to those around the world to do whatever we can to try to ensure that that power is exercized for the good whenever possible. We couldn't quite make it this time; that doesn't relieve us of the responsibility to keep trying. One of the other side's Big Lies is that they have a monopoly on morality; giving up the game lets them continue to believe that.

6. We haven't lost everything, and it isn't all hopeless. 5 isn't 9. 55 isn't 60. If you don't know what those mean, find out; it's important.

7. Take care of yourself, your friends, your family, and your communities. This is closely associated with Nourishing the Bubble, but even closer to home. Keep volunteering with your theater company, your BDSM social organization, your domestic violence hotline, your gay rights organization. Keep doing pro bono work. Keep holding social events. All of this makes a difference, and usually a bigger difference than most things coming out of Washington.

8. Finally, keep thinking of other ways to survive in the darkness and let people know what you come up with.

11/02/04 -- You ARE going to vote today, right?

If you're from the States, that is. You're registered, and you're going to vote? You know where your polling place is? You know when they're open?

Good.

10/28/04 -- How it all began. Sort of.

Reverse psychology works pretty well on me.

It was 1985ish, if memory serves, and I was home doing homework and listening to the radio. The station was 105.3 here in San Francisco. At that time I had been playing the flute for awhile already (about 10 years). It was about 9 in the evening and the DJ on the air was Steve Masters. He played a song by Men Without Hats, who at that time were trying to make a comeback. The song was "On Tuesday" and it featured a guest appearance by Ian Anderson.

I don't remember much about the song or Ian Anderson's flute solo. Truthfully that was the only time I've ever listened to him. I kid you not. I haven't been purposely avoiding him or anything. I just have never gotten around to hearing any Jethro Tull.

But anyway Steve Masters started talking after the song and he declared, "You know, I just don't believe the flute has any place in rock music. I just don't."

I took that very personally, for no good reason other than I was a teenager and therefore prone to overreact. I sat up really straight and scowled and said, "Hey!" indignantly to the radio.

I wish I could say I started practicing feverishly that very night, and wore my lips out every day thereafter for the next 20 years, trying to become the Next Great Rock Flutist. I didn't. I went right on following the path toward being a classical flute player for quite a long time after that. But at least my mind was open enough to disagree with old Steve Masters.

09/26/04 -- The MusicVine

I have a summary page on mp3.com. Mp3.com has a feature called "MusicVine", in which artists orbit around each other in alleged "spheres of influence". As far as I know artists aren't consulted about who their influences are. Somebody else comes up with that.

So if you click on the MusicVine while you're looking at my page on mp3.com, I come up in a constellation where my closest influence is Steven Halpern. This came as a bit of a surprise since I have never listened to his music on purpose. There was a time when I worked at a metaphysical bookshop, and his music was on sale there, and sometimes we played it over the PA system for atmosphere.

The music industry is just a big alien galaxy. Most musicians just shake their heads over it. But, if you want people to hear your music in any appreciable numbers, you have to engage with it somehow. One of the first things that has to be determined is how to classify you.

I know my music is very hard to classify and that's how I like it. When my last two albums came out, I hired radio promotions firms, and in order to do their job and get me added to radio stations, they had to come up with a way to pitch me. For Summerland, Peter Hay, who promoted me, focused on the Celtic slant of my lyrics and pitched me as a modern folk artist. For Diogenes, Musik International zeroed in on my mysticism and promoted me as a New Age artist. The album even charted on New Age Reporter.

So this is apparently what stuck for mp3.com, who have me in a sphere of influence with Steven Halpern, and a little bit further over, Gabrielle Roth (who I have listened to quite a lot on purpose). I would rather be orbiting around with my real influences but there's nothing I can do about it. So go listen to my tunes anyway!

Journal page 1 2 3 4 5 6 7 8 9